|
|
Specifically designed for cymbal and overhead miking, the frequency response of the C 430 ensures a uniquely crisp sound.
|
|
|
This professional condenser vocal microphone will make your voice cut through the loudest mix - on any stage.
|
|
|
The cardioid polar pattern is the most popular because its uses are almost limitless. The 125° pickup angle is especially suited for inexperienced or very "vivacious" talkers who often fail to talk directly into the microphone.
|
|
|
The hypercardioid polar pattern with its narrow 95° pickup angle is suited best for situations where noise typically occurs from all sides (particularly in worship centers), where people talk into the microphone from a greater distance.
|
|
|
The cardioid is the most popular polar pattern since it can be used almost universally. Requires gooseneck.
|
|
|
The D 40 with its solid all-metal body will stand up to the hardships of night-after-night onstage use
|
|
|
The D 112 has earned a well-deserved reputation worldwide as the best kick drum microphone ever made.
|
|
|
The D 5 dynamic vocal microphone for lead and backing vocals delivers a powerful sound even on the noisiest stage.
|
|
|
AKG D5S Dynamic microphone w/on-off switch. Suitable for vocals and speech, great pick up and feedback rejection.
|
|
|
AKG's new reference dynamic microphone delivers high end performance and noble sound in every studio and on every stage.
|
|
|
AKG's new reference dynamic microphone delivers high end performance and noble sound in every studio and on every stage. The main feature differentiating the D7 and D7S is the on/off switch.
|
|
|
All E-Series modules come with an integrated connector for quick setup and takedown. The GN 30E measures 38 cm (15 in.) long. Requires microphone capsule.
|
|
|
AKG's Rhythm Pack contains 1x D 112, 2x C 430 for overheads and 3x D 40 for toms and snare, all in a protective aluminium carrying case.
|
|
|
The wide and flat frequency response of the JTS CX-08S microphone provides a natural transparent sound for vocals.
|
|
|
Based on the success of X-series performance microphones NX-8/NX-8S reenhance overall performance. NX-8/NX-8S provide extended frequency response and dynamic range for cleaner and smoother sound.
|
|
|
The JTS TM 929 Dynamic Vocal Microphone offers great performance at an entry level price. Featuring a wide frequency response of 50 Hz - 15kHZ, it is an ideal choice for the vocalist who has a limited budget, but wishes not to sacrifice good sound quality
|
|
|
The JTS TM 969 Dynamic Vocal / Instrument Microphone is an entry level model for vocals and or instrument miking.
|
|
|
The RODE Blimp is a complete windshield and shock mounting accessory for the NTG-1, NTG-2 and NTG-3 microphones, as well as any third party shotgun microphone up to 325mm. Australian made.
|
|
|
Provides up to 10 feet (3 metres) of extension for shotgun microphones. Australian made.
|
|
|
With a rock solid die-cast body and sturdy dynamic capsule the RØDE M1 can take all the abuse you or your Roadie can throw at it, without showing signs of age or neglect. Australian made.
|
|
|
The M2 Live Performance Condenser Microphone benefits from RØDE's extensive experience in crafting premium condenser microphones for studio, live and location use and is a direct result of the foundation set by the award winning S1. Australian made.
|
|
|
The M3 is an extremely versatile microphone that is at home in the studio, on location, or wherever a low-noise wide-response cardioid condenser microphone is demanded. Australian made.
|
|
|
With its ultra low 6 dBA self-noise and transformer less SMT circuitry, the RØDE NT1000 exhibits exceptional performance when recording both vocals and instruments in the studio. Australian made.
|
|
|
The world's first large diaphragm condenser studio microphone with seamlessly variable Polar Patterns, Filter and Pad located conveniently on the microphone body. Australian made.
|
|
|
The NT2-A carries on the tradition forged by the now legendary RØDE NT2. A professional large capsule (1
|
|
|
Stylish and modern, the NT3 is a studio and location workhorse. With both 48V phantom and internal 9V battery operation, this RODE is at home anywhere. Australian Made,
|
|
|
The NT4 solves the age-old problem of stereo recording by eliminating the need to purchase matched pairs and the associated complex set-up bars and adaptors to get professional results. Australian made.
|
|
|
Intended for recording acoustic instruments, drum overheads, cymbals and live performances, the compact externally polarized mic employs a 1/2" capsule, an active J-FET impedance converter with bipolar output buffer. Australian made.
|
|
|
Intended for recording acoustic instruments, drum overheads, cymbals and live performances, the compact externally polarized mic employs a 1/2" capsule, an active J-FET impedance converter with bipolar output buffer. Australian made.
|
|
|
The NTG-1 provides an electronically balanced output stage and operates on 48V to the P48 standard. The NTG-1 offers wide bandwidth and a controlled polar response coupled with low noise SMT electronics. Australian Made.
|
|
|
The NTG-2 provides a balanced low impedance output stage and operates either from an internal 1.5 V battery (AA) or 48 V to the P48 standard. Australian made.
|
|
|
The NTG-3 is the result of years of development by RØDE engineers, providing the professional broadcast and film industries with an affordable yet uncompromising microphone.
|
|
|
The RØDE NTK is the multi award-winning Class-A tube microphone that has found a home with tens of thousands of professionals around the world.
|
|
|
The RODE PG2 Pistol Grip Shock Mount is designed to reduce handling noise when recording with shotgun microphones. Australian made.
|
|
|
Seamless integration was the idea, and it was obtained by creating a studio dynamic microphone with unparalleled A/D converters, so that the microphone can be plugged into any computer with no in/out boxes. Australian made.
|
|
|
The RODE S1 is designed specifically for 'no compromise' live vocal performance, but has also found a place in the studio where the performer wants to hold the recording mic. Australian made.
|
|
|
Drawing upon the advanced technological developments within the Rode manufacturing facilities, RODE has created a new video microphone. This product, like the VideoMic (VM), now the world's biggest selling on camera shotgun microphone. Australian made.
|
|
|
The RODE VideoMic is a professional grade shotgun microphone. Based on the latest 'Film industry' technology, the VideoMic is designed specifically for use with high quality Digital Video Cameras. Australian made.
|